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osu dissertation This note explains how to use Scientific Word or Scientific WorkPlace (SWP, for short) to write your OSU dissertation. Writing the society of spectacle, guts of the document is straightforward; the problem comes with all the ultimate, bells-and-whistles that the of spectacle, Grad School requires for the front-matter. The solution provided here is something of businesses, a hack, making extensive use of TeX fields which you need to edit by hand. But this is just one file, you won’t have to worry it about until the dissertation’s about ready to of spectacle, be handed in; and the advantage of being able to ultimate, edit your text in of spectacle a WYSIWYG-like setting is so great that I think you won’t mind. SWP versions supported : 3.0+. Version 3.0 has a number of israel, minor glitches for which we provide work-arounds; but if you can afford it, it’s worth upgrading.

I’ve no reason to believe that this can’t be made to of spectacle, work with version 2.5, but the structure of SWP’s internal files ( lat files, etc) is more complicated and I’m no longer confident of my ability to get the details right. Scientific NoteBook is not supported at all . Caveat: The typesetting of Essay on Andrea, your dissertation is completely controlled by of spectacle a pair of LaTeX files, which you’ll retrieve in the next section. Ultimate Phoneshop! I did not create, and I do not maintain, these files. They are supposed to produce a dissertation acceptable to the Grad School, but I do not vouch for this. My contribution is restricted to the SWP files. I will try to support these, as time permits; but if you send me an of spectacle, emergency email the day before the dissertation needs to be handed in, you will be disappointed. A copy of this document in DVI format is included in the SWP distribution referred to below. First you need the LaTeX class and package files. 2006 Lebanon! These may be obtained from Mark Hanes’ web site:

Click on Source Code in the left-hand frame. You want the package 1996 Osu Dissertation Class. May 2004: this site no longer seems to be available. I’ve put an archived copy on my website, and you can get it here: Second, you need the SWP support. This is available at. Create a temporary directory on your hard disk, and unzip both packages to that area.

In the following, we refer to your top-level SWP directory as swpdir : this is something like c: sw351 ( Scientific Word ) or c: swp351 ( Scientific WorkPlace). The files osudissert96.cls and osudissert96-mods.sty can go in any directory under swpdir TCITex TeX latex . I recommend (if you’ve not done so) that you create a personal directory under this one for of spectacle, your own files, to keep them separate from those supplied with SWP itself. Copy OSU_Dissertation.shl to 2006 lebanon, any directory under swpdir shells . Of Spectacle! Again, you can create your own directory if you’d like; otherwise a natural place is in the Other Documents SWP directory, since the OSU Dissertation class is based on the Report class. Because it describes a class file, this must go into Child Discipline Essay, a subdirectory whose name is the class name. Create the directory swpdir styles osudissert96 and copy osudissert96.cst to there . 3.4 Set up your dissertation directory. If you’ve not already done so, create a directory for society of spectacle, your dissertation’s TeX files. Essay! I recommend that you create this directory outside the society of spectacle, SWP tree; but you don’t have to. Essay On Andrea! Copy swsuppdoc.tex, swsuppdoc1.tex , osudiss.html (this file, for society, future reference) and HanesTest.dvi to this directory. The SWP support comes with HanesTest.dvi , a DVI version of Mark Hanes’ test document which illustrates how everything should look when your dissertation is typeset: it also contains some useful hints about writing your dissertation (though for SWP users some of the Essay on Andrea, discussion, eg on including figures, won’t be useful). The original files needed a bit of tweaking to be process-able through SWP, which is why I’ve supplied a DVI version. Society! (I also re-organized the order of some of the front-matter, to make it conform to the Grad School Handbook : the Acknowledgments and Vita are supposed to come before the Table of of Innovation examples, Contents).You can preview and/or print this document using the stand-alone TrueTeX previewer ( Dvigdi32.exe ). You can delete all of these.

You’re now ready to use SWP to write your dissertation. 4 Writing Your Dissertation With SWP. How should you lay out your dissertation? One strategy is to use the subdocument feature, and put each chapter in a separate subdocument. Of Spectacle! This is especially useful if you have a very long dissertation, since it’s easier to move through a short chapter than through the entire document. But there are a few down-sides to this strategy: The most important is Essay, that there is a bug in SWP version 3.0 which makes this subdocuments effectively unusable for math-rich dissertations. Society! (The precise problem has to do with use of multiline subscripts — for example a summation with two conditions on the index variable.) The bug is fixed in SWP 3.5+. Hierarchy For Children! But you should not use the subdocument feature in SWP 3.0 . Of Spectacle! A second problem concerns citations.

The only way to get your citations rendered correctly is to typeset the lebanon, master document. Typesetting the subdocument results in of spectacle citations being rendered as “ [?] ”, which isn’t the maslow hierarchy of needs, most helpful thing in the world. A third concerns labels (“markers” in SW terminology). Of Spectacle! Labels defined in maslow hierarchy the main document are not visible in of spectacle subdocuments; so you can’t use the cross-reference dialog to see what labels are already entered. If you use lots of cross-references, this could also be a problem. So it’s up to you (at least it is Rules examples, if you’re using SWP 3.5+) whether to use subdocuments or not. Society Of Spectacle! Personally, I like proper citations and extensive cross-references, so I’m inclined to advise against; but on the other hand I’ve never prepared a huge document in SWP.

Another strategy which always works is to write individual chapters in separate documents (I’d advise using the Standard LaTeX Article or Standard LaTeX Report shell for these) and then import their contents to the master thesis document (or to Child Discipline, subdocuments) only when you’re ready to society, produce final copy. If you do this, be careful to make all labels unique. Start SWP, click File - New . Find the shell OSU_Dissertation . Select it, click OK . You now have an empty document. Save it in your dissertation directory under some useful name, like mythesis . If you will be using subdocuments, this will be your master document; if you’re using SWP3.0, it will be your only (text) document. In either case, I’ll refer to it as the master document in what follows. You might as well fill in realistic values for 2006, the front-matter now. Society Of Spectacle! Click Typeset - Front Matter . You see examples of every field which is 2006 israel lebanon war, allowed here: delete the inapplicable ones, and fill in appropriate data for society, the others. (SWP3.0 may have problems with inserting additional member fields, which is why the front-matter tries to provide everything). Lebanon! If you have co-advisors, delete the Advisor field, and keep the Coadvisor fields.

You can delete Member fields, according to your needs. Usually you will not need the GraduationYear field, but it’s provided (the default, if you eliminate it, is this year). Important : do not try to enter your Acknowledgments via the acknowledgement tag. This acknowledgment is a type of theorem , and society, won’t give the form required by the Grad School. We’ll take care of the real Acknowledgements later. Close the Front Matter dialog and save your file. This might be a good time to run what you’ve got through the typesetter, to israel, make sure nothing has gone wrong. If errors arise, see section 6.1 . Otherwise, if you’re putting your dissertation into society of spectacle, a single file, you can start writing now. Before doing this, take a minute to re-read the beginning of this section, on ultimate phoneshop, the advisability of using the subdocument feature. If you decide to use subdocuments: Create a subdocument for your first chapter: Click Edit - Field - Subdocument or click on the Subdocument icon in society of spectacle the Typeset Field toolbar.

Give the document a descriptive name, like “Introduction”, or “LitReview”. You now have an empty document called (say) Introduction.tex in the same folder as your main document. Phoneshop! You can open it in SWP in society of spectacle the normal way and start entering your text. If you’ve already written part of your dissertation with SWP, you need to import it into either the master document of the appropriate subdocument. 2006 War! Do File - Import Contents . If your previous text used one of the society of spectacle, standard document classes (Article, Book or Report) you should not have any problems. If your previous work was written using an ASCII editor, then, in order for the import to be successful, you need to be aware that SWP does not support all LaTeX macros. When this happens, the unrecognized material will appear as a gray field, and maslow hierarchy of needs for children, you’ll need to do some fixup to get it right.

To minimize this, remember that: SWP will have trouble dealing with abbreviation macros. Be prepared to society of spectacle, expand them “by hand” in Essay on Andrea the imported document. SWP does not support the tabbing environment. Society Of Spectacle! SWP will not be able to cope with special alignments in tables. If your tables are contained within tabularx , tabular* , array or tabularC environments, you should remove them before trying to import. You will need also to re-import any figures, because of the way SWP interfaces with TrueTeX in Essay on Andrea order to display them on screen and print or preview them. But importing graphics is easy. You set up the society of spectacle, back-matter of your dissertation in the master document in the normal SWP way: after the last “real” chapter, insert the appendix fragment, then create your appendices as additional chapter-like subdocuments (or chapters, if you’re not using subdocuments).

Lastly, (assuming you’re using a BiBTeX bibliography) insert the Bibliography field ( Insert - Field - Bibliography ) or click the Bibliography icon on lebanon war, the Typeset Field toolbar. The Grad School requires that chapter titles in the Table of Contents have normal appearance (first letter capitalized), while chapter titles in the text itself must be all-caps. Of Spectacle! There are two ways you can handle this; on balance I tend to prefer the first. You can force the required behavior, by Child Essay placing a simple command into your document Preamble. However, you have to be careful here. Society! Everything in the scope of the chapter command will be upper-cased and Essay on Andrea, this includes any Marker you associate with the title. In other words, for this to work, you must be careful to make Chapter-level markers all-uppercase. This is easy to manage if you’re not using subdocuments, since subsequent uses will be correct in the cross-reference dialog. To enable the automatic upper-casing: Open the Preamble of your master document ( Typeset - Preamble ). Insert the following, being very careful to preserve all capitalization: You can provide an optional argument in chapter headings, which will be put in the TOC.

That is, if your first chapter is the Introduction, what you’d type (tagging it as a Chapter heading) is. — note the society, brackets ( []) which are required. The result is that Introduction goes into Child, the TOC, while INTRODUCTION appears on the chapter’s first page. The disadvantages are that it’s visually ugly on screen, and that there’s the possibility of a discrepancy between the two versions, which can cause the Grad School to reject the document. The Grad School Handbook “highly recommends” that you create an of spectacle, Index. At least in the sciences, I recommend that you don’t, simply to preserve your sanity. Indexes are tricky, especially if you go the whole hog and have various levels of sub-items. Who needs the aggravation?

However, SWP does support index creation and the MakeIndex program, though I’ve never used it. To typeset the index, you need to insert the Index fragment after the BiBTeX fragment in your document. As distributed, the dissertation class will typeset using the Computer Modern Fonts. SWP3.0+ includes complete support for Times Roman fonts (including Times in mathematics), and 2006 israel lebanon war, you may want to switch (for one thing, it photocopies much better). To use Times: In your master document do Typeset - Preamble At the top of the of spectacle, dialog, enter the following: RequirePackage[noTS1] being sure to copy this exactly , including all capitalization.

Close the dialog. If your work involves the US cents symbol, you may want to israel lebanon war, get my alltimes package from my website: it produces a much nicer representation of this symbol. If you use this, you can say RequirePackage instead of the command given above. The OSU Dissertation class typesets your text double-spaced, which is what the Grad School wants. But while you’re writing, that’s not important, and if you’d like to produce your drafts single-spaced you can place an encapsulated TeX field saying startsinglespace at the beginning of the text in any of your subdocuments; and until you delete the field you will be typesetting single-spaced. I strongly encourage you to use BibTeX for your bibliography: as you’ll soon discover, one of the genuine annoyances in preparing articles for publication is that each journal seems to require its own bibliography layout.

Using BiBTeX can often completely eliminate this sort of society, busy-work. So get into the habit of putting all of your references in Discipline a BiBTeX .bib file: it may even be worth taking day to collect all the society of spectacle, references in Seven Rules of Innovation your written papers and insert them into a .bib file. SWP comes with the public domain WBibdb program, which makes this easy. I’d like to take this opportunity to remind you to back up your work regularly. Society! Computers can crash, floppy disks can go bad, and you could be the Child Discipline Essay, one to discover a bug in of spectacle SWP itself.

Without backups, that could be traumatic. Make sure that SWP itself is maslow of needs, set up to produce backups: do Tools - User Setup and check on the General tab that the system will produce a .bak file and also create an automatic backup every so often. Back up your work onto floppy disks after every long editing session. Society Of Spectacle! In fact, you should probably make multiple floppy-disk backups, and DuPont Rules of Innovation, keep them in different places. 5 Preparing to of spectacle, Confront The Grad School. OK, you’ve written the how does businesses, dissertation, and society of spectacle, your committee seems happy with it — happy enough to inflation affect, schedule the Final Oral Examination. (Congratulations, by the way). It’s now time to prepare a properly formatted document with all the of spectacle, necessary front-matter. This is the only time you will need to write a few lines of actual LaTeX code, and hierarchy of needs, you need to be careful. Fortunately there’s very little of this, and it’s not too difficult. TeX and society, LaTeX reserve several characters (notably , # , $ , @ and inflation affect businesses, ) for their internal use, and society of spectacle, if you need them you must use special sequences instead.

Foreign students have an additional problem in 2006 that they may need to use accented characters, and these require a special syntax, too. Here’s the simplest way to get them. Create a new blank SWP document — think of it as an SWP scratch pad. Type in whatever you need. Save the document. Now open it in of spectacle a text (ASCII) editor like NotePad, copy the phrase to hierarchy of needs, the clipboard and society of spectacle, paste it into the appropriate place. It’s cumbersome, I know, but I don’t see any way around it, and besides, there’s not much of it to do.

If you need to insert an inflation affect, explicit line-break, you do so by inserting at the appropriate place. We now work through the details of society, creating the rest of the front matter. Child Essay! The main complication is society of spectacle, that you have two strategies for the Abstract (and possibly for the Acknowledgements, too): they can be subdocuments or they can be created inline. The subdocument strategy is slightly easier to work with; but if you are using SWP3.0 and your abstract contains lots of math, you should go for the inline strategy. Whichever Abstract strategy you decide on, begin by Child Discipline Essay creating a subdocument for the rest of front matter. In what follows, I’ll refer to this as your Front-Matter Shell document. Open the master document. At the beginning of this (before any other subdocuments, if any), do Insert - Field - Subdocument , or click on the Subdocument icon on the Typeset Field toolbar. Give the subdocument a name like extras . Click OK. This creates the Front-Matter Shell as an empty subdocument in your dissertation folder. Open it.

Now import an outline of the society of spectacle, additional front-matter. Click File - Import Contents. If you are going to create the Abstract as a subdocument, select swsuppdoc.tex . Click OK. If you are going to create an inline Abstract, select swsuppdoc1.tex . Click OK. In either case, you see a bunch of phoneshop, TeX fields. Save the society of spectacle, Front-Matter Shell subdocument.

We’ll begin by DuPont and the of Innovation Essay creating the Abstract. Remember that you’ve already decided how you want to create this. The next two parts explain the details, according to of spectacle, the selected strategy. 5.2.1 The Abstract as a subdocument. Open the master document. At the beginning of this, create a new subdocument, with a meaningful name like abstract ( Insert - Field - Subdocument , or click on the Subdocument icon on the Typeset Field toolbar).

Be sure to Essay, check Suppress Print and Preview at the bottom of the dialog . Click OK . The new subdocument should be represented by a field reading [Exclude abstract] , corresponding to the name you selected. Open your (empty) abstract subdocument in SWP and society, type in Essay on Andrea your text. Society Of Spectacle! Note that you type only the text of the Abstract: the appropriate heading is supplied by inflation the document class. Save the subdocument. Back in the master document, do Typeset - Front Matter . Scroll down to find the Abstract field.

Double-click on the relax TeX field. You’ll see relax. Society! Replace this with input xxx , where xxx is the full path+name to the abstract subdocument you just created. You must use Unix syntax for phoneshop, path separators: / instead of . Thus if your abstract was myabstract.tex in c: mythesisdir you’d replace relax with input Click OK . Society Of Spectacle! Close the Front Matter dialog (click OK again). Open the phoneshop, master document. Open the Front Matter dialog ( Typeset - Front Matter ). Scroll down until you see the Abstract field . Delete it, and of spectacle, the relax TeX field immediately beside it. Open the subdocument you created for the front matter ( extras.tex ). Place your cursor after the BeginAbstract field and press Return to get a blank line. Now type in your Abstract.

Select the entire abstract text, and for children, copy it to the clipboard. Place the society, cursor after the BeginExternalAbstract field and press Return to get a blank line. Paste in the contents of your abstract. The instructions here apply only if your Abstract is in a subdocument (if it’s inline, you’ve already created the text of the External Abstract). Phoneshop! The external abstract pages required by the Graduate School will just be specially formatted versions of your existing abstract. Open the Front-Matter Shell subdocument ( extras.tex ). Double-click on society of spectacle, the [ExternalAbstract] field. You’ll see.

Replace relax by ultimate input xxx , where xxx is the full path+name to the abstract subdocument you have previously created. Society! You must use Unix syntax for path separators: / instead of 2006 israel lebanon war, . Thus if your abstract was in myabstract.tex in c: mythesisdir you’d replace relax with input Click OK . Place the cursor at society, the end of the Child, [BeginDedication ] field, and of spectacle, hit Return to get a blank line. Type in your dedication. Technical note: you’re actually entering text into the DEDICATION environment (environment name in caps). The Preamble defines this environment, where it’s essentially a copy of the dedication command provided in the document class. Seven Essay! This is the society, only way I’ve found to allow you to use SWP’s editing facilities for this section.

There’s no reason not to create your Acknowledgments as a subdocument, even with SWP3.0; but if you’d rather that it be inline, skip forward to israel lebanon war, section 5.5.2 . 5.5.1 Acknowledgments as a subdocument. Open the master document. Create a subdocument: Insert - Field - Subdocument , or click on the Subdocument icon on of spectacle, the Typeset Field toolbar. Give it a meaningful name like ack . Be sure to check Suppress Print and Preview at the bottom of the dialog . Click OK . The new subdocument should be represented by a field reading [Exclude ack] , corresponding to the name you selected. Open the new subdocument, and type in phoneshop the text. Note that you type only the text of the Abstract: the society of spectacle, appropriate heading is supplied by the document class. Close the Acknowledgments subdocument. Open the Front-Matter Shell subdocument ( extras.tex ). Double-click on the [Acknowledgments] field. You’ll see. Replace relax by input xxx , where xxx is the full path+name to the acknowledgment subdocument you previously created.

You must use Unix syntax for path separators: / instead of israel war, . Of Spectacle! Thus if your acknowledgment was in ack.tex in c: mythesisdir you’d replace relax with input Click OK to close the Essay on Andrea, [Acknowledgments] field. If you’d prefer to create your Acknowledgments as inline text, you can do so as follows: Double-click on [Acknowledgments] field to open it. Change the society, title to something like BeginAcknowledgments Delete the and the Seven Essay, last two lines of the existing contents. Of Spectacle! The contents should now read begin Close the field. Copy it and past the second version right beside the first. Edit the of needs, second version, calling it something like EndAcknowledgments and change the to read end Place the cursor at society, the end of the BeginAcknowledgments field, press Enter twice, and how does inflation, type in your Acknowledgments. Now we begin to set up your Vita page. Of Spectacle! Open the Front-Matter Shell subdocument ( extras.tex) if it isn’t already open. Your Vita describes the academic world’s view of the significant events in your life. The first one is usually your date and place of birth, and the others tell us when and where you got your prior degrees (if any), and what academic experience you’ve had (if any).

Some people include their service as GRAs or GTAs; others think that’s a bit tacky. You might want to consult your advisor about Essay this. To put items in the Significant Events section you add or modify the encapsulated TeX fields labelled [Dateitem] . The page you’re working one contains one of these: to provide more, just cut-and-paste. The contents of each of these must consist of two phrases, each enclosed in braces ( ). Society Of Spectacle! The first consists of the date, and the second describes the event. For example, if you were born on February 31st, 1945 in Rome, you’d modify the first [Dateitem] field to say. (Note that, just as in and the Rules examples SWP, the long em-dash is entered as three ordinary dashes). Add as many of society of spectacle, these [Dateitem] ’s as you think appropriate. The next set of fields describe any publications you may have produced, divided into “Research Publications” and Child, “Instructional Publications”. Again, you may want to consult with your advisor as to what’s appropriate in each of society, these categories.

You will use SWP’s editing tools to type in the information. What you can’t do is insert a reference to an entry in a BiBTeX bibliography file — you must type in Essay on Andrea the full reference by hand. No Publications If you have nothing to enter here — no Research or Instructional publications at all — delete the following fields: [BeginPublist] [ResearchPubs] [InstructionalPubs] [EndPublist] and skip the rest of this section. Otherwise: Research Publications If you have nothing to enter here, delete the ResearchPubs field. Otherwise: Place the cursor at the end of the ResearchPubs field, press Enter to start a new line.

Start a Description List Item list. Then enter the society, citation for Essay, your research publication, leaving the label of the of spectacle, item empty. Enter as many of these as you need. When you’re finished, close up any space between the list and the next TeX field. Instructional Publications If you have nothing to Discipline Essay, enter here, delete the society of spectacle, InstructionalPubs field.

Otherwise: Place the Essay on Andrea, cursor at the end of the InstructionalPubs field, press Enter to start a new line. Start a Description List Item list. Then enter the citation for your instructional publication, leaving the label of the item empty. Enter as many of these as you need. When you’re finished, close up any space between the list and the next TeX field. Technical note: the space between the headings (“Research Publications” or “Instructional Publications”) and the actual publication listings in the typeset text is governed by a LaTeX vertical space command ( vspace ) in the respective TeX fields.

As distributed, we specify - 16 pt, which looks about right to me. But you can fiddle with this if you’d like. Next, you need to society, enter information about your major field. Enter your major field in the braces in the line majorfield ; for example you might end up with majorfield . According to the Grad School Handbook, the name of your major field must match the DuPont Seven Essay examples, name of your academic unit. The last three TeX fields generate the table of contents, and society, list of hierarchy of needs, figures and/or tables. The Table of Contents is required; if you do not have any tables or any figures, delete the inapplicable fields. Important : In the Grad School’s setup, the dissertation Table of Contents comes at an unusual place, so you can’t use the Make TOC field, which would normally be inserted in the Front Matter dialog. The effect of society, this is that you cannot rely on SWP’s built-in mechanism for setting the number of LaTeX passes when you typeset your dissertation . You may need to Essay on Andrea, set this manually: two passes will often work, but if there are problems, increase this to 3. Save the Font Matter Shell, and return to the master document.

Do Typeset - Compile and society of spectacle, check Generate a Bibliography. How Does Inflation Businesses! Remember, you need to re-generate the bibliogrpahy only when your references change. If you typeset-preview your text, you should see everything in the right place. As distributed, the SWP shell document is set up for a PhD dissertation; but the LaTeX support can deal with the other types too. In order to set this up, you must use a text (ASCII) editor, and society of spectacle, make a simple change in the master document. Here’s how:

With your master document not open in SWP, open it in lebanon a text editor. Find the line documentclass Change this to documentclass[ xxx ] , being careful to of spectacle, enclose the new material in brackets ( [] ) and not braces( ), and where xxx is from the following table: Here are some hints on lebanon war, resolving problems you may encounter. Under SWP30, something can go wrong if you try to society of spectacle, add fields (eg Member fields) in the front-matter dialog. (This is why the Essay on Andrea, shell documents provide a full complement of these fields, in the hopes that you won’t have to add; SWP3.5+ seems OK in of spectacle this regard). The technical issue is that additional fields get added as continuation lines to the existing field. And The Seven Rules Of Innovation Essay Examples! Suppose for example you try to add another Member, “Professor M.N. Oh” after “Professor J.K.

Ell”. Under SWP30, if you open your document in an ASCII editor you’ll see that this is rendered as: which is obviously wrong. You need to society of spectacle, fix this by hand so that it reads. The most likely problem involves a report from LaTeX that one file or another can’t be found. You probably got the folder wrong when you entered one or other of the include commands for subdocuments.

Check the followng places: the Front-Matter dialog (if you create the Abstract as a subdocument); the [ExternalAbstract] field in israel lebanon war the Front Matter Shell (again, if your Abstract is society, a subdocument); the [Acknolwledgments] field in the Front Matter Shell (if your Acknowledgments are a subdocument). 6.3 Missing chapter cross-references. If you find that cross-references to your chapters are missing — you see something like “As explained in chapter ?? ” in inflation businesses the typeset version — did you implement the typesetChapterTitle command, as explained in section 4.5 , without making markers uppercase? If so, you need to society, fix this. You should change any label ’s at the end of each chapter command to uppercase, and then find and change each ref to that label. You can do this with SWP’s search-and-replace function. If you find that the Table of Contents page is empty or incorrect, you probably forgot to Essay examples, set the number of passes correctly. See section 5.9. Mark Hanes’ documentation lists a number of features (eg the degree command), which, it says, are “unnneded if you have used the appropriate documentclass option”. We assume that this applies to SWP users; on the other hand, you can always use any of these commands by creating the appropriate TeX field in of spectacle your SWP document. We do not directly support the twoside class option, but if you need it, you can simply add it by hand: treat it like another xxx option in how does inflation affect the discussion in Other types of dissertation, above, and society of spectacle, separated by maslow hierarchy of needs for children other options by society of spectacle a comma.

Same for the osudraft option; but note that this will only work if you have a postscript printer. Here are the files you’ve placed in your SWP tree, for easy reference in DuPont and the Seven Rules case you upgrade SWP and need to re-create them. arb means an arbitrary directory; and society of spectacle, swpdir is your top-level Scientific Word or Scientific WorkPlace directory. swpdir styles osudissert96 osudissert96.cst.

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Narcotics Anonymous Assignment Essay. My feelings about this assignment: When first reading the requirements of this assignment I was quite hesitant in approaching group counselling sessions as I was not aware of society, any in my area. A friend of mine whom I had not seen in a while told me that she was in a rehab facility for a month and was attending an outpatient programme. This was fantastic news and just the opportunity I was looking for, not only was this what I needed for my assignment but it was also an opportunity for me to support her. I asked her if it would be possible for israel lebanon me to go with her to one of her meetings and of spectacle she was too happy to have me go with her. Narcotics Anonymous is a global, community-based organization with a multi-lingual and multicultural membership. They offer recovery from the effects of addiction through working a twelve-step program, including regular attendance at group meetings.

The group atmosphere provides help from peers and offers an ongoing support network for Essay on Andrea addicts who wish to pursue and maintain a drug-free lifestyle. The name, NA, is not meant to society, imply a focus on any particular drug; NA’s approach makes no distinction between drugs including alcohol. Membership is Essay free, and they have no affiliation with any organizations outside of NA including governments, religions, law enforcement groups, or medical and psychiatric associations. There are various meetings held all over RSA, you can have a look on their website to see where the closest meeting is, when it takes place and whether it is a closed or open meeting. This meeting was held at AKESO Crescent Clinic. This is a rehab facility, the society, meeting is Essay on Andrea held in a conference room inside. Once you walk in you will see that the society of spectacle, chairs are placed in a circle and behind it are more chairs placed in a bigger circle. The structure of the meeting: Chairperson opens the meeting and advises that it’s an open meeting, meaning that anyone can join, i.e. family, friends and DuPont Essay other support structures. Society Of Spectacle. He then allows all to introduce them moving from the israel lebanon war, left to right. Each individual stands up, gives their name followed by the words, and I am an addict.

He then asks if there are any new comers and mentions that the of spectacle, newcomer is the most important person at ultimate any meeting and society of spectacle although it may seem confusing at first, to keep an open mind and keep coming back. He then proceeds to phoneshop, advise that there is one rule at this meeting: that no drugs or drug paraphernalia be in society your possession. If anyone is Seven examples carrying, they are to society, leave and come back without them. Child Discipline Essay. If anyone is carrying a cell phone to society of spectacle, please turn it off for Essay the duration of the meeting. He then asks that someone reads the preambles. These pamphlets have been randomly placed on various chairs prior to the meeting, if you have one; you have the option to read it or to society, ask someone else to read. The preambles are:

Who is an addict? Why are we here? What is the how does affect, NA Program? The twelve traditions. At the meeting they then recognize specific landmarks in their recovery. Of Spectacle. 24 hours. 24 hours to 7 days. 90 days to 6 months. More than 3 years.

People put up the hands and support is given by clapping for their achievements. He then asks whether there are any birthdays or landmarks that anyone would like to share. As they say how long they have been clean, tags are handed out for those achievements and the woman who is how does handing out the tags gives the person a hug. Below is a picture of the different tags that each addict receives for each landmark: He advises the meeting that the views expressed by of spectacle the individuals there, do not necessarily show the view of the NA and if anyone is interested in any of the official literature, the literature person will talk about it. The literature rep stands up and advises on what books are available. How it works and why (12 steps and stories of addicts worldwide) Sponsorship guide.

The step working guide. She explains what each book is about and the price so that if anyone would like to purchase the literature, you will be able to Child Discipline, do so after the meeting. There are also various pamphlets that are available. The chairperson then introduces the topic he has chosen for the evening and interprets how the society of spectacle, topic relates to Discipline, his life and society of spectacle then opens the floor so that any of the affect, addicts are open to speak. Only the chair knows what the topic is of spectacle going to be for the evening. Once everyone has had their turn to share and before closing the meeting he asks: Is there anyone who still feels the need to share. Does anyone have a burning issue? Does anyone just have an issue staying clean today? They address these issues separately after the meeting.

Chairperson thanks all for sharing and reminds all that what they see and hear here remains here. The seventh tradition states that they are self-supporting through their own contributions. They then send around a donation basket where generous donations are requested. Newcomers and visitors are asked not to contribute and to consider themselves as guests. “Just for today” is and the Seven Rules Essay then read, this is the society, last preamble. He then asks that everyone stands up and Essay on Andrea holds hands, all the addicts in the meeting and some guests who have attended before say in unison – “As long as I follow, I have nothing to fear”. The Chair then asks that we take a moment of silence for society of spectacle babies born into active addiction and addicts suffering inside and outside the rooms. The meeting is then ended with the serenity prayer, God grant me the serenity to accept the things I cannot change, the courage to change the things I can and the wisdom to know the how does inflation businesses, difference.

Keep coming back, it works if you work it and work it because you’re worth it. Personal story of recovery: I felt it was important not to share the stories I had heard in the meeting as per the request made by the chairperson. I was however able to find personal stories of recovery from addiction available on the NA website so I have chosen to rather share a published story instead. This is the story about Greg C, the of spectacle, topic: Letting Go: On the businesses, 12th of September, it will be the 20th anniversary of my baby brother’s death. A good couple of years ago when things were running wild, I took him into my drug business and he was that kind of a guy, a stray dog, so I knew I had to take him under my care but I was happy to do so as he was a great guy. I just got back from Australia and it was a very successful trip and there was nothing in town so I went back to Cape Town. In hindsight, the three months before his death, I was already giving him a hard time about all the money that was outstanding but in my heart I knew that he had already used it and society all he needed to do was tell me that he had used it and Essay on Andrea I wouldn’t have minded. So this Wednesday the 12th, I started my period of self-destruction.

I called him and society of spectacle he hadn’t come down from 2006 lebanon my parents place and they told me that he hadn’t woken up. My whole life just shattered and it took me 10 years of self-destruction, hitting financial rock bottom and ending up in the emergency room for a heroin overdose and of spectacle a number of 48 hours spent in prison cells to Child, get over society this. 2006 Israel Lebanon War. What was my struggle with this? Was I to blame for getting him into this drug world? Was it the guilt that I had treated him badly for the last three months cause if I knew he was going to die three months before I would not have cared what he used or what money he owed me cause I’d pay anything today to get him back. When I walked into NA 10 years ago, I came in of spectacle like everyone else, rough and wounded. Still with that street bravado and they spoke about surrender. It took me six days to get there; I cleaned and showered, looked in the mirror and for children then went back to my room to use again. Eventually when I got here, it was somebody’s 1 year anniversary. I was really tired of using about two years before I got here. Of Spectacle. That birthday meeting was the greatest motivation for me because someone was clean for 365 days.

I followed all the steps they told me to do and then they told me to let go. It took me 6 years before I let go of the Essay, guilt and let go about what I felt happened with Rowan. It was the most freeing aspect of my recovery was when I was able to of spectacle, put that stuff down and move on with my life. The other things had all changed; I got myself a job and had good friends. Israel Lebanon War. It was tough; I made in a month what I used in a day. It took two years before I started seeing the materialistic things of this fellowship but I was still walking around with this baggage. It took me a good 5 nearly 6 years before I let go with Rowan and by that time I was fully living NA, I was completely involved for seven and a half years, whatever service came up, I volunteered in the fellowship. I had quite a lot of things to society of spectacle, get over, had a lot of meetings where addicts wouldn’t pitch and Seven Rules of Innovation I took that personally, I had to let that go as well.

About two and a half years ago I thought it was time to move out of this fellowship and go and society get myself a life and start living. I managed to let go of the service stuff of war, NA but it was time to let it go and of spectacle my sponsor thought it was time to let it go, I didn’t want to Essay on Andrea, let it go, but I knew I had to let it go. I was still working for the same company and a lot of things were promised to me and that didn’t happen, so obviously I built up a lot of resentment there. Society. I built this picture up in my mind that I always needed a lot of Child Discipline Essay, money to start up my own business and I suppose it was all fear and paranoia to stay in society this comfort zone. Anyway, I stopped coming to meetings, only popped in ultimate phoneshop every now and again when it was someone’s birthday, that sort of thing. Not being around, nobody asked me to share and society of spectacle slowly my connection to NA slowly drifted. DuPont And The Of Innovation Examples. One thing is for sure and society that’s what was promised to me when I first joined and that’s if I follow the 5 simple rules that my need to use will slowly be lifted. Two and a half years when I left, my obsession to use had been lifted and 2006 I felt no need to use.

Eventually after many years of frustration, I decided to throw in the towel where I was and forget my fear that I needed all this money to start a business. I left there, I bought a few cars and put them on a few friend’s stands and they were selling the cars for of spectacle me and I was living a half retired life, going to the gym, go swimming, go do this and that. Things still weren’t comfortable on the inside, I was still out of sink and I knew I was still carrying around a bit of stuff and slowly I was drifting into more insanity by not being connected to this place. Discipline Essay. And then it all happened at once, I knew I was insane, I knew I had to get back to a meeting. I’d heard and read enough of it to know that I had to get back to a meeting. I found a home group and at the same time found a car lot for sale, managed to of spectacle, buy it and put my cars on there and now I have a good business. Phoneshop. I know that I have to show up, I have to tell the of spectacle, truth; I have to live with honor, do what I’m responsible for and leave the rest of the hierarchy, results to of spectacle, my higher power. When I look back at Essay on Andrea the ten years as I have been part of of spectacle, this fellowship, all the good things that have happened in my life, I’ve only realized that it happened after it did and I didn’t even know it was happening; which tells me that the ultimate phoneshop, only way I’m going to stay clean is to let things go, stay focused and stay plugged into this place.

Love having my sponsor, I get an objective point of view for my life. What actually happened to me 10 years ago and I only realized this a few months ago is that I was in the middle of a desert with a bag on my back with everything I owned and society a bakkie pulled up and a man said, jump on the back, I’ll give you a lift. Essay On Andrea. First thing I wanted to of spectacle, do is take control of the situation and ask are you going in 2006 israel war my direction. Society Of Spectacle. The voice said – there is only one road. I got onto the back of this bakkie and I stood there with the heavy pack on Discipline, my back for I don’t know how long on this ride. It was hot and heavy. The bakkie slowed down, and this voice said, I stopped to society, give you a ride, take the pack off, sit down and enjoy the ride. And no sooner did I do that and the scenery changed to the most magnificent view and Essay on Andrea I’ve been enjoying it ever since. My concerns were what to expect and how to society of spectacle, approach the meeting as I have not attended something like it before. I did not want to seem judgmental in any way as I have no idea what the reasons are for these people turning to drugs, only that they were looking for a way to stay clean.

I know from what “Ally” has told me that they support each other and try to Essay on Andrea, work through their problems and triggers together. My perception of what to society of spectacle, expect and what I experienced was greatly different. I expected a counsellor to be present and do most of the talking as I have witnessed on the various interviews conducted on the UNISA DVD’s. This was not the case at DuPont and the Rules examples all, everyone who felt the need to share did so and of spectacle so much support was given to each person for the accomplishments that I felt an appreciation for such a support group. My discussions with “Ally” helped me tremendously to prepare for what I was going to enter upon. This was an open meeting where friends, family and other support people were allowed to maslow hierarchy for children, attend; this made me more comfortable as I would not be the only new comer or outsider present at the meeting. This was definitely an eye opening experience for me. From the moment I arrived till the time that I left, I felt so accepted by all. Society Of Spectacle. I think I might even have had a moment where I felt that I wished I was an addict so that I could come back.

This group was more than a bunch of addicts coming together to talk about their problems, they were like a family, talking and sharing, caring for for children each other and praising each other for their accomplishments. I was truly moved by the experience and of spectacle feel a better understanding for hierarchy of needs for children what “Ally” has gone through. I hope that when she feels the need to use that she will feel comfortable enough to talk to me and I will support her as best I can. Conclusions about the helping relationship. I have to come to the realization that many find the support they need in groups. They feel comfort in knowing that they are not alone in of spectacle this struggle. Many feel guilty for what they have put their families through and ultimate phoneshop therefore I also find it important that the families also attend these meetings. This not only of spectacle shows support for the addict but also helps them to understand what it is affect like to be an addict. I think it may be difficult for of spectacle a family to Child, believe what an addict says but when they hear it from many, it becomes more believable and easier to accept. University/College: University of Arkansas System. Type of paper: Thesis/Dissertation Chapter.

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50 Inspiring Resume Designs: And What You Can Learn From Them. Your resume or CV may be one of the most important projects you ever design. Society! It can make or break job applications, open doors to new careers, make a great (or dismal) first impression. When you send out your resume, you’re really sending out a piece of phoneshop, yourself. So make sure it’s representing you to your best advantage. Just like how you dress your best for an interview, it’s important to give your resume the same treatment — to make sure it’s polished and society, presentable.

The 50 resume designs below span a wide range of styles, from strictly businesslike to for children, ultra creative — browse through them to of spectacle, get some ideas for updating your own resume. Designing your own is easy with our wide collection of beautiful resume templates. Click the image to see more resume templates. Starting off your resume strong with a bold header, like in this design by Shed Labs for ultimate, Loft Resumes, draws attention to society, your name and makes it more memorable. You can also include a few keywords or descriptors under your name that sum up who you are as a candidate.

This chessboard-style layout is certainly striking, giving each category its own distinct space. But Mikha Makhoul’s resume is still somewhat subdued thanks to the simple black-and-white color scheme; it doesn’t sacrifice professionalism for and the Seven Rules of Innovation examples, visual interest. Society! Some well-placed shadows can make your resume pop, literally — giving it a 3D appearance and creating the illusion of depth. Ultimate! Errol Veloso explains how he chose the colors of society, his design purposefully: blue to symbolize his creative side and red to symbolize his analytic side. Try using shapes and frames for emphasis. You can experiment with geometric shapes (circles, squares, rectangles), ribbons, or solid or dashed lines. Here, Michael Long frames his name and his role to help them stand out. A cohesive color scheme of cool blues and minty hues gives this information-packed, infographic-style resume by Joseph Acena a visual theme and 2006 israel lebanon war, an orderly, coordinated look. Using a horizontal orientation (instead of the traditional vertical format) immediately gives your resume an edge in terms of of spectacle, attracting attention. 2006 Israel! Other strong points of society, this design by Essay on Andrea Justin Schueler include a balanced, un-crowded layout and plenty of of spectacle, negative space. There seems to maslow hierarchy for children, be a trend, at society of spectacle, least in how does inflation affect, industries where you can take some risks with your resume, to forget the stuffy business lingo and show that there’s a human behind the piece of paper.

Using a more conversational tone, as David Elgena has done with his “Hello, nice to meet you. Here’s a little about me” header at the top of this resume, may help you create rapport with the person who’s reviewing your application before you even meet them. This resume by Kyle Robertson features a custom crest with Kyle’s name and a catchy tagline. Society Of Spectacle! Creating a distinctive personal brand or style for yourself (such as a personal logo, a color scheme, a nice selection of fonts, etc.) gives your work an Essay extra sheen of professionalism (and an opportunity to show off your abilities). Plus, once you put the work in, this “brand” is something you can use over and over again — on society, letterhead, business cards, social media profiles, you name it. For a unique take on DuPont and the Rules of Innovation Essay, traditional resume colors, try light text on a dark background, as Abdullah Al Mamun has done here.

Just make sure that your font is weighty enough to be easily readable and not get lost against the background. Society Of Spectacle! This clean resume by maslow Patrick Rogan uses a bright splash of of spectacle, color and whittles down the information to phoneshop, only the basics (skills and past positions). Icons in the skills section provide a visual reference that still complements the simplistic style. Society! Printing your resume on textured paper can give an hierarchy of needs impression of quality, craftsmanship, or luxury. If a color other than white seems inappropriate for your industry, try a white or cream-colored paper with a slight texture for an ultra-professional, upscale look. This example by S.N. Carter, printed on a recycled or kraft-style paper, gives the society of spectacle resume a custom, hand-printed feel.

When applying for a position where a more creative approach isn’t appropriate, it’s always a safe bet to opt for a simple, text-based resume with clean fonts. Here, Frank Schamhart has embellished his resume slightly with minimal use of an accent color and a small personal portrait. Essay On Andrea! If you’re after a job in the arts or some other highly visual industry, make your resume a mini portfolio like illustrator Rianti Hidayat has done here. Society Of Spectacle! Bradley Brooks keeps his resume businesslike with a classic black-and-white color scheme, but livens things up with a modular layout and a personal logo. Infographic-style resumes have become popular, and they can be effective when done well. But they should be more than a collection of pretty pictures; the images should, at a glance, tell something about you and DuPont Rules Essay examples, complement or enhance the text, like in this resume design by society Rachel Winter. If you’re seeking work in Essay on Andrea, an industry where appearance is society of spectacle, important, or the job has asked you to include a portrait, try integrating it into 2006 israel, your resume. It doesn’t have to of spectacle, be the center of attention, though — you can make it a bit more subtle by using a small picture or placing it behind a colored screen, like in Egotype’s resume template. Mailing out some resumes? Make opening yours up a memorable experience, like Amber Van Mieghem has done with this clever folding resume. Wishing you could infuse a little creativity into your plain, corporate resume?

Try a monogram with your initials, like Bill Mawhinney has done for this resume template. It adds a little style while still keeping the overall presentation very businesslike. You can use the same graphic on your cover letter to give your application a polished, pulled-together look. If you have some creative leeway in creating your resume, using a non-rectangular shape will be sure to 2006 lebanon, attract attention, like John Mujica’s round resume does here. Of Spectacle! If you do format your resume in any unusual shape, just make sure all the text is readable. You’ve only got one name. Make it memorable. If it’s unique, highlight it.

Make it big and bold, like Fredrik Andresen did on his resume. Give the hiring manager something to zero in on. Your font choices can change the whole character of your resume. For instance, the rounded fonts with soft edges that Louis Omari has used for his resume have a more casual, friendly feel than sharper, serif fonts might have. Need to Essay on Andrea, show your qualifications on the run? Post your resume online and make it mobile-friendly, like Julien Renvoye has done.

You can include your resume on your personal website or even post it to of spectacle, networking platforms like LinkedIn. Use blocks of color and/or lines to separate different sections of your resume, give it structure, and make it easy to navigate visually. This template from Beautiful Resumes features vibrant colors, but you could just as easily get the same effect with a more subtle color scheme. If you’re going the infographic route, think of effective ways that you can use different types of graphs to represent your skills, experience, or background, like Martin Suster did here. Ultimate! Organizing your resume with columns, like this three-column layout Anton Yermolov used, keeps the of spectacle information tidy, creates clear divisions between sections, and helps you keep everything sharply aligned. Use a sidebar in your resume to call attention to extra (or extra important) information that you want to highlight. Here, Ola Hamdy used a colored sidebar to inflation affect, separate her personal and society, contact information from her educational and Discipline, professional details. Although this resume design is text-heavy, Gershom Charig mixes things up with a two-color scheme and a word cloud to creatively represent the breadth of his skills and experience. Of Spectacle! Similar in function to the word cloud above, various sizes of circles represent Silviu Schiau’s proficiency in maslow, various areas, such as management and society of spectacle, design.

The size of the circles corresponds with his amount of experience — a fresh way to ultimate, illustrate core competencies. Give the person looking at your resume an excuse to find out more about you. Including a link to your website or portfolio (or even a QR code, as Krysten Newby has done here) acts as a good prompt. If your job history includes working for society, big companies with recognizable logos, feature them on Essay on Andrea, your resume. Tamas Leb has included space to do so on society of spectacle, this resume template, and it makes an ultimate impressive statement, even at a glance.

For creative resumes, a theme can give you a starting point to build a one-of-a-kind design and think about society of spectacle, innovative ways to ultimate phoneshop, present your information. Here, Peter Kisteman’s laboratory theme makes a strong visual statement and gives his artistic background a scientific, experimental dimension. Putting your resume in a folder or other kind of holder gives you more space to showcase your experience and accomplishments, plus the extra tactile feature makes it memorable, as with this design from society, S1M. The vertical timeline on 2006, the outside offers an immediate visual representation of the candidate’s career history. This traditional black, white, and society, gray design by Brice Seraphin brightens up quite nicely with some turquoise as an accent. This can be done with any color (and you may want to tone it down depending on your industry), but vibrant hues have particular impact. Besides being another nice example of using an maslow hierarchy for children accent color, this design by Adam Rozmus keeps things clean and simple, showing that resumes don’t have to be fancy to make a good impression. If competition is stiff, try standing out of spectacle with a resume package that gives you some space to demonstrate your abilities, develop a personal brand, and include more information than the limited area of a one-page resume allows for. Here, Sabrae Precure uses a distinct color scheme and custom illustrations to how does inflation affect, stand out from the society crowd.

This resume by Gabriel Valdivia combines a traditional format (the typical positions, dates, and short descriptions) with pictorial elements that provide a more personal touch. As if to say that a normal paper resume just won’t cut it, Alison Root got clever with her resume presentation, which demonstrates that she thinks outside the box. This sample resume from Rahul Chakraborty features bold typography and bright colors for a high-impact look that will make people take notice. There may be times when it’s ok to maslow, let your sense of of spectacle, humor shine through in Seven Rules of Innovation Essay examples, your resume; it makes you more relatable, more likable. For instance, check out the pronunciation guide Nick Iannuccilli provided for his difficult last name. Using a border is society, a good way to add a little bit of color to your resume, as Evelien Callens has done here, without worrying about looking unprofessional. Stylistically, this design is a good compromise between customary and more creative resumes. The two-color, mostly traditional layout uses graphic elements sparingly but purposefully. Essay On Andrea! As a nice touch, Dan Hernandez has branded his cover letter with the same style, which is a smart idea if your job application involves submitting multiple documents. Sometimes you have to of spectacle, do what you can to get noticed.

For an illustrator like Lucia Paul, hand-drawing her resume is both appropriate for her industry and ultimate, gives her a standout way to display her skills. Society Of Spectacle! Big, bold typography, a high-contrast color scheme, and a well-organized presentation all combine to make sure Joao Andrade’s resume gets looked at. Ultimate Phoneshop! No long-winded explanations of job roles here. Just the essentials — enough to get someone interested in society of spectacle, wanting to know more about Gianina Santiago and her background. Clean, sans-serif fonts, relatively little text, and Essay, lots of white space give Maxat Malbekov’s resume a sleek look that’s easy to achieve if you condense your resume down to only the most relevant information.

If you have a lot of information you need to fit on society, one page, take a tip from this design by Essay on Andrea Halle Rasco and use easy-to-read fonts and clear headings for each section. Need to keep your resume fairly conservative? A two-column layout with a businesslike blue-gray accent color gives this otherwise traditional resume from of spectacle, ResumeBaker some extra interest. Syril Bobadilla’s illustrations are whimsical and kid-friendly, and how does inflation affect, her resume reflects that style. Notice how she also created matching business cards for of spectacle, a cohesive personal brand. Even if your industry doesn’t allow as much creative expression as someone in the arts, you can express your personality in more subtle ways, like through font choices or an accent color. Resumes don’t always have to read from left to right, top to bottom. Child Essay! You can play with the layout of your resume to make the best and most visually interesting use of the space you have available, like Milena Filipova has done here. Society Of Spectacle! You can use a grid structure to organize your resume and make it easier to ultimate, navigate, similarly to society, how Orlando Silva designed this template. If applicable, you might also try including some pieces from DuPont and the Seven Rules Essay, your portfolio right on the resume (so your abilities are on society, display at DuPont Rules examples, first glance).

As you can see from the society examples above, there are many approaches you can take to designing your resume. But no matter what style or format you choose, there are a few things you want to make sure to get right: Readable text Industry-appropriate style (if unsure, play it safe with a conservative design.) Updated and accurate information No spelling/grammar errors. Now it#8217;s your turn. Put these skills into action! Bring great design to your entire workplace. Ultimate Phoneshop! Janie is a freelance writer and of spectacle, graphic designer and Essay on Andrea, the owner of Design Artistree Creative Studio. After college, she built on her background in art to of spectacle, explore design. and loved it.

Now, she enjoys finding ways to combine the craftsmanship of ultimate phoneshop, traditional fine arts with the society of spectacle digital possibilities of Essay on Andrea, graphic design. Design The Perfect Google+ Banner Image With Tips And E. 50 Unique and Engaging About Us Pages to society, Inspire You. Essay! These Are Some of The Most Beautiful Album Covers We#8. Graphic Design From Around the World: Spanish Design.

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essay on treblinka H olocaust E ducation A rchive R esearch T eam. A ction Erntefest. Treblinka Death Camp History. The death camp at Treblinka was located in society, the north-eastern region of the Generalgouvernement, in a sparsely populated area near Malkinia Gora, a junction on the Warsaw – Bialystok railway line, some 4km northwest of the small Treblinka village and its railway station. Near to an established Arbeitslager (forced labour camp) known as Treblinka l, the maslow hierarchy for children site chosen was heavily wooded and society of spectacle well hidden from view. Essay On Andrea? Treblinka I housed both Poles and Jews, and was located by a gravel pit, one and half km from the society of spectacle site of the death camp. The labour camp functioned from June 1941 until 23 July 1944. The death camp was established as part of ultimate Aktion Reinhard . Society? Construction work began at the beginning of April 1942, after SS men came to Discipline Essay the village of Poniatowo and inspected the locality. The building contractors were the German construction firms `Schonbronn’ from Leipzig, and `Schmidt – Munstermann’, which had an office in Warsaw. SS- Hauptsturmf u hrer Richard Thomalla from the SS-Bauleitung Zamosc supervised the construction work.

Primarily, the workers building the death camp were Jews brought there in trucks from neighbouring villages, such as Wegrow and Stoczek Wegrowski. Prisoners, mainly Polish, from the Treblinka l labour camp were also utilised in the building work. The witness Lucjan Puchala recalled: “Initially we did not know the reason for building the branch track, and it was only at the end of the job that I found out from conversation among the Germans that the track was to lead to a camp for Jews. Society Of Spectacle? The work took two weeks and it was completed on 15 June 1942. Parallel to the construction of the Child Discipline track, earthworks continued. The SS-men and Ukrainians supervising the of spectacle work killed a few dozen people every day, so that when I looked from the Child place where I worked to the place where the Jews worked, the field was covered with corpses. The imported workers were used to dig deep ditches and to build various barracks. In particular, I know that a building was built of bricks and society concrete, which as I later learned, contained people to be exterminated”. The camp’s first commander was the Austrian SS-Obersturmf u hrer , Dr Irmfried Eberl, who had served in Bernburg (a “euthanasia” killing centre), and also, for 2006 israel war a short time, at the Sobibor death camp. Of Spectacle? In August 1942 Eberl was relieved of his command by Globocnik, when Globocnik and how does inflation affect businesses Wirth visited Treblinka, having been made aware of society of spectacle a chaotic breakdown in the extermination process. This had arisen because Eberl had accepted more transports than Treblinka could handle.

In late August Eberl was replaced by SS-Obersturmfuhrer Franz Stangl, the former commander of the Child Discipline Sobibor death camp. Christian Wirth stayed in Treblinka to sort out the society of spectacle chaos created by ultimate, Eberl, and brought several experienced SS-men from Belzec, such as Franz and Hackenholt, to assist with the task. The camp staff of Treblinka, responsible for the smooth operation of the mass killings, consisted of about 35–40 Germans, all of whom wore the of spectacle field-grey uniform of the Waffen-SS . None of them held a rank lower than SS-Unterscharf u hrer . They came either from the Waffen-SS , or from the General (Allgemeine) SS, but some had previously served with the Police, and many had experience of working at various “euthanasia” killing centres. Men like Franz, Kuttner, Miete, Mentz, Hirtreiter, and Matthes, were already brutal mass murderers. In addition to the Germans, there were approximately 90– 120 Ukrainian auxiliaries, who mainly assisted with guard duties. As distinct from the Germans, these men wore black uniforms, and were armed with carbines; the German camp staff all carried pistols, and sometimes sub-machine guns.

Most of the 2006 Ukrainian guards were former Soviet prisoners of war who had volunteered to serve the society Germans, and had been trained at the Trawniki camp. Treblinka Map used at Stangl's Trial. Some of them were of German extraction (the so-called Volksdeutsche) , and ultimate certain of the latter were appointed platoon or squad commanders. Some Ukrainians were also used to operate the gas chambers, amongst them the infamous Ivan Marchenko and Nikolay Shaleyev. 700-1,000 Jewish inmates performed the society manual labour, including certain aspects of the extermination process, and in addition attended to the personal needs of the maslow hierarchy SS staff. Groups of Jewish specialists were employed on construction work, cutting pine branches in the forest to be used as camouflage for the barbed wire fences, but most Jewish labour was used in sorting and bundling the clothes, goods, and valuables taken from their murdered fellow Jews. The prisoners were selected for labour from incoming transports, and of spectacle most were killed within a short time, particularly in the early days of the camp.

In September 1942, Stangl introduced a permanent cadre of of needs Jewish workers. Society? Some worked at the ramp receiving the transports; these were known as “Blues”, for the blue armbands they wore. The undressing commando were known as the “Reds”, because of 2006 israel lebanon war their red armbands. A further commando worked in the upper camp – the extermination area. The camp was laid out in an irregular rectangle 400m by society, 600m, and was surrounded by Child, a barbed wire fence intertwined with tree branches to block any view into the camp from the outside. Society? A second outer fence consisting of barbed wire and anti-tank obstacles called `Spanish Horses’, was also constructed at Essay on Andrea, a later stage. Watchtowers 8m high were placed at each of the society of spectacle four corners of the camp, and additional towers were built in the extermination area. The camp was divided into zones of nearly equal size - the SS and phoneshop Ukrainian living area, the Auffanglager (the reception area), a great sorting barracks (the Wohnlager ), the Jewish living and working quarters, and of spectacle the Totenlager , also known as the upper camp. A 100m by 100m square was separated from the rest of the maslow of needs for children camp by society, a barbed wire fence. It contained three barracks forming a “U” shape.

Here the Jewish prisoners who worked in the lower camp spent their nights. And The Seven Of Innovation Essay Examples? At the far side of the roll-call area of this section was the latrine, covered by a straw roof. The transports arrived at the reception area in society, the southwest section of the how does inflation camp. This area included the railway track, the station platform, which was 200m long, and the fake station. At the society of spectacle rail entrance on Essay on Andrea the spur into the camp a wooden gate was wrapped in society, barbed wire intertwined with tree branches. The railway line ended with a wooden buffer, and a wooden gate which was permanently locked.

The Lazarett , a small execution site, was also in the reception area. Those too ill or too weak, or those who would impede the flow to the gas chambers, such as the disabled and unaccompanied children, were taken to a fenced-in area with a small wooden building, from how does businesses, which flew a Red Cross flag. After undressing in a waiting room that contained red sofas, they were shot in the back of the neck and thrown into a pit in which a fire constantly burned. Kapo Kurland was in of spectacle, charge of the Lazarett , and later was to of needs become a leading figure in the revolt. Miete and Mentz were the brutal German killers at the Lazarett . Alongside the society of spectacle ramp were two large barracks where the victim’s belongings were sorted and stored. DuPont Seven Of Innovation Examples? North of society of spectacle these storerooms was the station square. East of this section was a fenced-in area called variously the undressing square (Entkleidungsplatz) , deportation square, or transport square. It was at this place the men were separated from the women and Discipline children. Two large barracks were situated here.

The northern barrack was utilised by women to undress, as well as for the cutting of their hair by barbers who worked behind a partition wall at the end of the society barrack. The southern barrack, was used in the early phase of the camp’s existence for male prisoner’s sleeping quarters. Later it was used as a storage depot for goods. Male victims undressed in the open air between the barracks. The extermination area, approximately 200m by 2006, 250m, where the mass murders were carried out, was in the southeastern part of the camp. This area was completely isolated from the rest of the camp by a barbed wire fence camouflaged with tree branches, as well as a high earthen mound, all of which prevented observation from the outside. Of Spectacle? The gas chambers were located inside the extermination area in a long brick building. During the camp’s initial phase there were three gas chambers, each 4m by 4m, and 2.6m high, similar to the first gas chambers constructed at Sobibor. Maslow Hierarchy Of Needs? A room attached to the building contained a motor, which introduced the poisonous carbon monoxide gas through pipes into the chambers. The room also contained a generator, which supplied electricity to the entire camp.

The entrance doors to the old gas chambers opened onto society of spectacle, a wooden corridor at the front of the building. Each of these doors was 1.8m high and 0.9m wide. The doors were hermetically sealed and locked from the outside. Inside the gas chambers, opposite each entrance door, was another door made of thick and strong wooden beams, 2.5m wide, and 2006 israel lebanon war 1.8m high. These doors were also hermetically sealed and opened in a similar manner to modern garage doors, i.e. upwards. Society? They were propped open with wooden beams while the bodies were removed. The walls of the gas chambers were partially covered with white tiles.

Showerheads and piping criss-crossed the ceiling, all designed to maintain the Child Discipline Essay illusion of an society of spectacle ordinary shower room. The piping actually served to businesses carry the poison gas into the chambers. The witness Jan Sulkowski, a Polish prisoner from the society Treblinka l forced labour camp, who helped construct the death camp from 19 May 1942, recalled: “SS-men said it was to be a bath. Inflation? Only later on when the building was almost completed, I realised it was to be a gas chamber. What was indicative of this was a special door of thick steel insulated with rubber, twisted with a bolt and placed in an iron frame, and also the society fact that in one of the building compartments, an engine was installed from which 3 iron pipes led through the phoneshop roof to the 3 remaining parts of the building. A specialist from Berlin came to put tiles inside and he told me that he had already built such chambers elsewhere”. East of the gas chambers and close by them were huge ditches for burying the corpses. A number of society of spectacle these ditches were approximately 50m long, 25m wide, and 10m deep. The ditches were dug by an excavator brought from the quarry at the Treblinka 1 forced labour camp. Initially the Discipline bodies were brought from the gas chambers to society of spectacle the ditches by trolleys pushed by the Jewish Sonderkommando on a narrow gauge railway.

However, this system proved to be impractical and was replaced by 2006 israel war, the carrying of corpses on stretchers. Southeast of the gas chambers were two combined barracks enclosed by a barbed wire fence, erected as quarters for the upper camp Sonderkommando . Society? The barracks included a kitchen, a toilet, and later a laundry. A watchtower and guardroom was built in the centre of the extermination area. The undressing square in the lower camp was connected to the extermination area by the Schlauch (the “Tube”). Essay? This pathway, 80-90 m long and approximately 4m wide, was enclosed with 2m high camouflaged barbed wire fences. The Germans cynically called it the “Himmelfahrtstrasse” – The Road to Heaven”. It commenced behind the women’s undressing barrack and continued east and then south to of spectacle the gas chambers. The naked Jews were driven along this path to the building containing the gas chambers by Germans and Essay on Andrea Ukrainians wielding whips. The SS living area in the northwestern part of the camp comprised living quarters for the SS and Ukrainian personnel, who were housed in the Max Biala Kaserne , as well as the Kommandantu r, offices, an infirmary, stores and workshops. Of Spectacle? At Christmas 1942, Stangl ordered the of needs for children construction of a fake railway station.

A wooden clock with painted numerals permanently indicating 6 o’clock, signs reading `ticket window’, `cashier’, `station-master’ and various timetables and arrows falsely indicating train connections `To Warsaw -To Bialystok – To Wolkowysk’ were displayed, as well as a signboard indicating to deportees that they had arrived at a station called `Obermajdan’. In early 1943 the SS constructed a zoo and a relaxation area, complete with tables and society of spectacle sunshades, and Essay on Andrea also built a more elaborate main gate situated near the railroad entrance. The gate consisted of two wooden pillars each decorated with a metal flower, and crowned by a small roof which rested on the pillars; it resembled a Polish country-style gate. At night floodlights lit the society of spectacle entrance, Ukrainian and SS-men were posted at the main gate and at the guardhouse, which was built in Tyrolean style. At the entrance a sign read “ SS Sonderkommando Treblinka ”. The extermination process explained:

The incoming deportation trains generally consisted of 50-60 cattle wagons containing six to seven thousand people in total. After passing through Malkinia-Gora junction the trains crossed the Bug River, and came to a halt at the Treblinka village station. 2006 Israel War? The station-master, named Franciszek Zabecki, was a member of the Polish underground, and a key observer of the events of 1942 and 1943. Each transport was divided into sections of twenty wagons, and was pushed by a locomotive, driven by Emmerich and Klinzmann, officials of the Reichsbahn / Ostbahn , onto the siding leading to the camp. The remaining wagons waited at the station. As each section of the transport was about to enter the camp, SS and Ukrainian men took up position on the camp’s railway platform and in the reception area. When the wagons stopped the doors were opened one at a time by the Blue Kommando and the SS men and Ukrainians ordered the society Jews to leave the wagons. Oscar Strawczynski recalled: “We run out as fast as we can to avoid the how does inflation affect businesses whips lashing overhead, and find ourselves on a long narrow platform, crowded to capacity. All familiar faces – neighbours and of spectacle acquaintances. The dust so tremendous, it obscures the sunlight. A smell of charred flesh stifles the breath.

Unwittingly, I catch a glimpse of the mountains of clothing, shoes, bedding and of all kinds of wares that can be seen over the fence. But there is no time to think – the dense mass of people is pushed toward and jammed through a gate”. An SS officer then announced to how does businesses the arrivals, that they had arrived at a transit camp from which they would be sent on society of spectacle to various labour camps, but first they had to take a shower for hygienic reasons, and to have their clothes disinfected. Any money and valuables in their possession were to israel be handed over for safekeeping and society of spectacle would be returned to them after they had showered. Following this announcement the Jews were ordered to the undressing square. At the entrance to the undressing square the men were ordered to the right for ultimate phoneshop undressing, and the women and the children to the left. Supervised by the Red Kommando , this action had to be performed at running pace and was accompanied by society of spectacle, shouting and beatings by the guards. After undressing, and in the case of the women, having their hair cut, the naked victims entered the “Tube” that led directly to the gas chambers. Many sources claim that the phoneshop women and children were gassed first, whilst the naked men tidied up the society of spectacle yard first and then went to their deaths.

Oscar Strawczynski again: “But there, on that sorrowful transport square, there is no time for tears or feelings. I scarcely have time to hand my wife the carefully hidden blanket for maslow of needs for children the children. A brutal hand grips my shoulder and I am hurled to the other side of the square. I manage to stay with my gentle father. The place is packed with people.

On one side are women with small children, on the opposite side, men, forced to society of spectacle kneel. In the how does inflation affect businesses middle there are SS –men, Ukrainians with weapons in their hands, as well as a group of about forty men with red armbands. These are Jews – the detachment of society “Reds”. In Treblinka slang they are called “Chevra Kedusha” (Society for Last Rites). Most prominent among all in the square is Discipline Essay a German officer, a stout man with a short beard, mounted on a beautiful brown horse. He moves haughtily on his horse, in the middle of the square. At a certain point he turns toward the kneeling men and shouts: “Craftsmen out”. A number of men step out. Of Spectacle? Most of them however, are sent back.

Only a few are stood aside, where an SS-man makes a further selection, and groups the remaining men in threes. I am kneeling beside my father. My mind is completely blank. No feeling, not a thought. I do not even say a single word to my father.” Once the victims were locked in the gas chambers, the motor was started and ultimate the carbon monoxide gas was pumped in. Society? Within 20–30 minutes, all of the victims were dead. Their bodies were removed from the chambers and taken to the burial or cremation ditches. In the initial phase, a section of ultimate twenty wagons containing 2,000–3,000 people could be liquidated within 3-4 hours. Later, with experience, the Germans managed to reduce this time to an hour and a half.

Even as the first batch of Jews was being murdered, the society of spectacle railway wagons in lebanon war, which they had been transported were cleared and cleaned. Some 50 prisoners undertook this task, after which the wagons were pulled out of the camp to make room for the next batch of deportees. At this time, another team of approximately 50 prisoners collected the clothes and goods that had been kept in society, the undressing square and transferred them to the sorting square. And The Seven Rules Of Innovation Essay? Here a sorting command searched the belongings for money or valuables and sorted the clothes. This command was also responsible for removing the Jewish Stars from the clothing, and destroying identity cards and other documents the Germans considered to society of spectacle be of no value.

Once sorted, the victim’s possessions were stored, and at the appropriate time were forwarded to the SS warehouses in Lublin. 200-300 prisoners, the inflation Sonderkommando, were employed in the extermination area on such tasks as the society removal of the DuPont and the Seven corpses from the society gas chambers, cleaning the chambers, extraction of the maslow hierarchy for children victim’s gold teeth and burial of the bodies. From winter 1942/43 corpses were cremated by the Sonderkommando instead of being buried. As at Belzec and Sobibor death camps, the Germans soon realised that the capacity of the gas chambers needed to of spectacle be increased in 2006 lebanon war, order to exterminate the number of Jews still alive. Between early September 1942 and the beginning of October 1942, Wirth and Stangl took the decision to build larger extermination facilities. In order to obtain the bricks necessary for of spectacle the construction of the new chambers, the SS scoured the local area.

Eventually an old glass factory chimney at Malkinia was demolished by the camp’s construction expert, Erwin Lambert, and the bricks were used to build the new extermination facilities. The new gas chambers each measured 4m x 8m. The total area covered by the three old chambers was 48 square metres; the new gas chambers encompassed an area of 320 square metres. The new gas chambers were 2m in height, about 0.60m lower than the old chambers. This lowering in height reduced the Essay on Andrea amount of gas required to kill the victims. A central corridor ran along the of spectacle length of the building, with 5 gas chambers on either side of the ultimate corridor. The entrance doors and society body removal doors of the Child gas chambers were of society a similar design to the old gas chambers. Alongside the doors was a small glass panel set in how does, the wall, through which SS-men and Ukrainians could observe the interior of the chambers. The entrance to the Gas. Chamber was covered by a Jewish ceremonial curtain, taken from a synagogue, where it had been used as a covering for the Ark (Aron Kodesh) . Either on the curtain or on of spectacle the building was the Hebrew inscription “This is the Gateway to and the Seven Rules of Innovation Essay examples God.

Righteous Men will pass through”. The gable over the entrance bore a large Star of David. To reach the opening of the building, the victims had to climb five wide steps, decorated on society either side with potted plants. The new gas chambers could exterminate a maximum of 3,800 people simultaneously; the maslow hierarchy of needs old gas chambers had a maximum capacity of 600 people. Heinrich Matthes was the chief officer of the upper camp, assisted by of spectacle, Rum, Potzinger, Munzberger, Horn, Floss and others, including the Ukrainians Marchenko and Shaleyev. The extermination programme at Treblinka commenced on 23 July 1942. The first transports came from the Warsaw Ghetto, and by 21 September 1942, some 254,000 Jews from Warsaw itself and 112,000 Jews from other places in the Warsaw district had been murdered in Treblinka. Among the victims was Janusz Korczak, the Child Discipline noted director of a children’s orphanage in Warsaw.

Transports arriving from Austria included relatives of Sigmund Freud. By the winter of 1942-43, 337,000 Jews from the Radom district had been killed, as well as 35,000 from the Lublin district. In total an estimated 738,000 Jews from the Generalgouvernement and more than 107,000 from the Bialystok district were slaughtered between July 1942 and April 1943. Jews from outside Poland were also murdered at Treblinka, 7,000 Jews from Slovakia, were killed in the summer and autumn of 1942. Between 5 and 25 October 1942, five transports brought 8,000 Jews from Theresienstadt (Terezin). Over 4,000 Jews from Thrace, formerly a part of Greece but now annexed to Bulgaria, arrived in the latter half of March 1943. 7,000 Macedonian Jews were murdered between March 1943 and April 1943. At least one transport of 2,800 Jews was dispatched from Salonika at the end of March 1943. 2,000 Romany Gypsies were also murdered in Treblinka death camp. The extermination programmed continued until April 1943, after which time only a few isolated transports arrived.

Some included the survivors of the Warsaw Ghetto Uprising. During spring 1943, a savage typhus epidemic ravaged the society Jewish prisoners. Hundreds of the infected were sedated, then executed at the Lazarett by August Miete, and Willi Mentz. Several individual attempts to escape and acts of resistance occurred; for example, the killing of SS-man Max Biala by Meir Berliner on 11 September 1942. Dr Julian Chorazycki, one of the leaders of the planned revolt, was discovered by Franz to be in how does affect, possession of a large sum of money. Chorazycki unsuccessfully attacked Franz, and then took poison in order to of spectacle avoid betraying the revolt.

The main task now facing the SS was the Essay on Andrea elimination of the evidence of the of spectacle crime. Following a visit of Reichsf u hrer Heinrich Himmler in affect businesses, early March 1943, the order was issued to society of spectacle cremate the bodies. Israel Lebanon War? The mass graves were opened and of spectacle the corpses were exhumed and burned on huge cremation grids, constructed from railway tracks, under the guidance of SS-Scharf u hrer Floss. With the cremation of the bodies nearing completion, a resistance group including Lageraltester Engineer Galewski, the aforementioned Dr Julian Chorazycki, Zelo Bloch, Zvi Kurland, and Dr Leichert was formed and plans for a revolt were formalised. Dates for an uprising were agreed and Essay on Andrea then postponed. When it was clear that the uprising could no longer be delayed, the revolt was set to society of spectacle take place on the 2 August 1943, at 5pm. Weapons were removed by the resistance from the and the Rules of Innovation Essay SS armoury, and distributed.

On the appointed day, as the time of the uprising grew near, SS-men Franz and society of spectacle Rottner, together with 16 Ukrainians, went for a swim in the nearby Bug River, thereby depleting the DuPont and the Seven Rules of Innovation examples SS garrison. When Kurt Kuttner, in charge of the lower camp, started beating a prisoner, the resistance leaders had no option but to fire a shot and start the revolt earlier than planned, as they were afraid the prisoner being beaten would reveal all. The rebels possessing stolen weapons started the of spectacle revolt at two minutes to four, opening fire on the camp guards. And The Seven Essay Examples? The petrol station exploded in a mass of flames thanks to Standa Lichtblau, who worked in the garage. Wooden barracks and fences were set ablaze, although the gas chambers were not damaged. The prisoners now tried to escape. from the camp. They were fired at by the guards in the watchtowers, and many died, entangled in the barbed wire that was strung across the anti-tank obstacles. Most, if not all of the society leaders of the revolt were not successful in escaping from the camp.

Galewski did taste freedom, but did not survive the brutal aftermath of the uprising. The inmates who did escape were pursued by the local police and security forces, including guards from the forced labour camp at Treblinka I. Railway guards, Ukrainians on for children horseback and members of the Gendarmarie, also joined in the pursuit. The fire brigade from Malkinia arrived to society of spectacle put out the burning fires in the camp itself. Of the 1,000 Jewish prisoners were alive when the affect revolt took place, approximately 200 managed to break out. Only 60 of those who escaped were alive at the end of the war to tell the world about the horrors of Treblinka. Of the prisoners who remained in the camp after the uprising, some were killed on society the spot, whilst the rest were forced to demolish the remaining structures and obliterate all traces of the camp’s murderous activities. Since the gas chambers had not been destroyed in the revolt, they continued to function and the last victims from Bialystok were gassed on 21 August 1943. When this final gassing was completed, the camp area was ploughed over and trees were planted. The camp was turned into ultimate, a farm, and of spectacle a Ukrainian guard named Streibel was settled there with his family in order to phoneshop protect the society of spectacle site from being plundered by the local population. After Streibel and his family left the site in 1944, the local population descended on how does inflation affect businesses the former camp site looking for society gold and other valuables.

Whilst doing this they discovered parts of decomposed bodies. The remaining Jewish prisoners were either shot or transferred to the Sobibor death camp on 20 October 1943, via Siedlce and Chelm. On 17 November 1943, the last transport departed, carrying equipment from the camp. Parts of the barracks had already been sent to Dorohucza labour camp on 4 November 1943. There have been many attempts to accurately calculate the number of victims of the Treblinka death camp. Since the Nazis destroyed most of the relevant data, it is doubtful if a definitive figure will ever be established.

However, based upon the most recent research, it is estimated that a total approaching 900,000 Jews were murdered in the camp between July 1942 and August 1943.

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